Showing posts with label ACIS. Show all posts
Showing posts with label ACIS. Show all posts

Tuesday, May 01, 2012

Study Hacks, Piano Player Confessions

I ran across a terrific site called Study Hacks. While much of the material may be oriented toward students trying to ace their tests, there is a great deal of valuable and interesting stuff that might be applied to chess improvement. As the author says:

Recently, as I’ve moved beyond my student years, I’ve turned more of my attention toward decoding patterns of success in the working world. I’ve come to believe, for example, that “follow your passion” is bad advice if your goal is to end up loving what you do.

For example, in Flow is the Opiate of the Medicocre: Advice on Getting Better From an Accomplished Piano Player we find this list:

•Strategy #1: Avoid Flow. Do What Does Not Come Easy.


“The mistake most weak pianists make is playing, not practicing. If you walk into a music hall at a local university, you’ll hear people ‘playing’ by running through their pieces. This is a huge mistake. Strong pianists drill the most difficult parts of their music, rarely, if ever playing through their pieces in entirety.”

•Strategy #2: To Master a Skill, Master Something Harder.

“Strong pianists find clever ways to ‘complicate’ the difficult parts of their music. If we have problem playing something with clarity, we complicate by playing the passage with alternating accent patterns. If we have problems with speed, we confound the rhythms.”

•Strategy #3: Systematically Eliminate Weakness.

“Strong pianists know our weaknesses and use them to create strength. I have sharp ears, but I am not as in touch with the physical component of piano playing. So, I practice on a mute keyboard.”

•Strategy #4: Create Beauty, Don’t Avoid Ugliness.

“Weak pianists make music a reactive task, not a creative task. They start, and react to their performance, fixing problems as they go along. Strong pianists, on the other hand, have an image of what a perfect performance should be like that includes all of the relevant senses. Before we sit down, we know what the piece needs to feel, sound, and even look like in excruciating detail. In performance, weak pianists try to reactively move away from mistakes, while strong pianists move towards a perfect mental image.”
I leave it as an exercise for you, Dear Reader, to relate this to chess improvement. I don't want to make it too easy, after all...

Friday, January 15, 2010

ACIS 2010 Update

Well, two weeks have pased since my first personal ACIS post, and finally a progress report; so far I have made it through through p. 34 of Silman's How to Reassess Your Chess (3d. ed.)--the introductory material, the "basic endgames" and the first substantive chapter, "Thinking Techniques."  While I was pretty familiar with the pawn and rook+pawn endings which are the bulk of the endgame chapters, it did me good to study it again, plus, I did pick up one valuable shortcut that somehow I had never explicitly seen (or it hadn't registered), that when the kings are far apart and you're trying to get the "distant opposition," as Silman states, move the king to a square or rectangle in which each corner is the same color.  While I had an idea of what the "distant opposition" is, this simple mnenomic will now be with me forever!  Here is the example:



White needs to go Kb2 to keep the distant opposition.  Even though Kc1 stays on the same color square as Black's king, it loses the opposition--note that the "corner" colors are different.

Besides this nugget, the best thing about the first chapters was getting back into really looking deeply into a few positions, getting back into the groove of taking apart a chess position in great detail.

It struck that Silman's book might have been titled My System after Nimzovich's, except that Silman assumes a certain level of familiarity with positional concepts like space, and doesn't go through what Nimzovich called "The Elements" first.  Reassess Your Chess is not for the true beginner, and I think it is telling that in the introduction Silman gives the example of an adult player who has made it to Expert (2000 Elo), but is stuck there, as who the book is aimed at.

Some Cool Links

Speaking of My System, Temposchlucker has posted his take, My System Redux.  His understanding and admiration have grown.

My friend and fierce opponent Vernon Young, who I managed to edge out for 2008 Reno Class B Champion, has started an intriguing, stimulating and eclectic blog about chess and other things at Vernon R Young's Blog.  You will note that since my two victories against him in that tournament he has shot ahead about 180 rating points.  And he makes chess videos!  Very cool, Vernon.

Blunderprone has yet another outstanding tournament series, Lone Pine 1975.  Look, Jeremy Silman!  Also, Part II is must read!

Thanks to these outstanding bloggers, and all the rest who post entertaining and valuable material as a labor of love.

And now, LET US ROCK!

Sunday, January 03, 2010

Break Out!

A NY Times article, How to Train the Aging Brain, while not exactly NEW! and IMPROVED! (I've seen the same basic prescription for some years) can serve as a reminder to us Adult Chess Improvement Seekers that we need to take some different approaches to learning than those young whippersnappers:

Educators say that, for adults, one way to nudge neurons in the right direction is to challenge the very assumptions they have worked so hard to accumulate while young. With a brain already full of well-connected pathways, adult learners should “jiggle their synapses a bit” by confronting thoughts that are contrary to their own, says Dr. Taylor, who is 66.

Teaching new facts should not be the focus of adult education, she says. Instead, continued brain development and a richer form of learning may require that you “bump up against people and ideas” that are different. In a history class, that might mean reading multiple viewpoints, and then prying open brain networks by reflecting on how what was learned has changed your view of the world.

“There’s a place for information,” Dr. Taylor says. “We need to know stuff. But we need to move beyond that and challenge our perception of the world. If you always hang around with those you agree with and read things that agree with what you already know, you’re not going to wrestle with your established brain connections.”

Such stretching is exactly what scientists say best keeps a brain in tune: get out of the comfort zone to push and nourish your brain. Do anything from learning a foreign language to taking a different route to work.

This goes to the heart of what many good chess authors, including Silman and Rowson, have suggested as the prescription for adult chess improvers: Our thinking about chess in general, and how to choose a move in particular, tends to become routine, stale, stereotypical if we don't make special efforts to go beyond what we are comfortable with. We hit plateaus when we apply the same limited set of tools all the time. We need to break out of that comfort zone, even if we go backwards temporarily in rating, in order to lay the groundwork for a higher plateau. To break down our game like a muscle that lifts some heavy weights, and thus becomes stronger. Then, presumably, do it all over again at our next plateau...(ouch!).

A few easy steps that you could take come to mind. First, you could change up your openings, throw something out there that you've never played before; if you're an "e4 player" go to 1. c4 and don't study it too much in advance--try working it out on the board from move one. Or look into something like Hugh Myer's researches or even Benjamin and Schiller's Unorthodox Openings.

Something I've tried occasionally in blitz games with fair success is what might be called "Doing nothing and doing it well," that is, going totally contrary to my usual style and just developing pieces behind my own lines with no early intent to attack at all. Usually the "other guy" soon feels the need to attack and I end up with a tactical battle as good as any other, but it's interesting how doing this gives a new perspective on the game.

Who's to say
What's impossible
Well they forgot
This world keeps spinning
And with each new day
I can feel a change in everything
And as the surface breaks reflections fade
But in some ways they remain the same
And as my mind begins to spread its wings
There's no stoppin' curiosity

I want to turn the whole thing upside down...

Friday, January 01, 2010

ACIS 2010

I'm back, I'm excited and let's get right to it--to really be one of the ACIS, by Blunderprone's definition, one must post about goals, plans and methods and then follow up with progress reports. So here I go, taking the plunge...

True Confessions

First off, some brutally honest history. I've mentioned here a number of times that I'm really into human performance and "self-help" books and materials. Back in 1995 I was in Northern California, working at a low paying job and basically just getting along when I revisited Tony Robbins' book Unlimited Power, a book I'd owned for several years and had read, but hadn't taken much action with. Rereading the book one night, I sat down and started doing some of the exercises, including thinking about what I really wanted and how to get it. I decided to move back to Juneau, Alaska, go to the university and get a degree, get married and have children and get into politics and government. It took longer than it might have, there were some bumps in the road along the way but I did all of those things, and now enjoy a great job, pretty good income and a great family. You may well think of Tony Robbins as some guy on late night infomercials but lo, he has put out some things that work, if you actually do them. And he learned a lot of them from NLP and through the pioneer Richard Bandler. I'm currently working with Bandler's latest book, Get the Life You Want, which I highly recommmend.

That's all fine, you may be saying, but where's the brutal honesty? Here: I've never faithfully, consistently applied these methods and techniques to chess improvement! Most of my improvement came from playing good players from 1982-90, and that's it! Oh, I have plenty of chess books, and I've intermittedly studied endings, done tactical exercises and looked at some master games, but I've never really applied what I know about performance psychology to my chess in a consistent way. Perhaps chess improvement is not quite as important as work, health, marriage and family, but now is the time, friend, now is the time. I think that I must either just play chess and enjoy it, which is great, or go for the gusto and do the improvement thing to the utmost of my ability:

I know your works: you are neither cold nor hot. So because you are lukewarm, neither hot nor cold, I will spit you out of my mouth. (Rev. 3:15-16). I will not let that be me!

So here goes.

My Personal ACIS Program

As I noted in my last post, I have decided to base my ACIS plan on Jeremy Silman's How to Reassess Your Chess (3d. ed). A funny coincidence--this is one of the few well-known chess books I've never owned, but while I was in Anchorage, Alaska recently I dropped in at the fabulous Title Wave used book store and browsed the book for awhile, finally paying just $7.95 for a nice copy. It struck me that one of my weak points as a chess player is the lack of a consistent, cogent thinking process as I consider my move. Though I'm experienced enough to know about weak pawns, weak squares, dropping in a killer knight at d6 to paralyze Black's position, etc., I all too often go pretty much straight to "What threats can I make and how must he repsond to them?" and choose my moves almost exclusively on that basis. Also, I've been playing mostly internet blitz over the last months since I left Reno and its strong club tournaments. The "Reassess Your Chess" method does not lend itself, nor really apply, to blitz. It's about taking the time to really look at the "imbalances" in a position and considering how to nurture the ones favorable to your side, and to neutralize the opponent's. As I browsed through the book it dawned on me that perhaps this was just the approach I needed in my own unique situation--other people may best be served by another book or focus.

While there is a thorough and quite critical review of the book on the Amazon page that might give one pause, I decided that the reviewer's (apparently) legitimate criticisms of some errors in the book shouldn't really be a problem with my intended use of it. I will work my way through every line of "Reassess Your Chess" on a board, and perfect the thinking process presented, and any errors and ommissions I find on my own will just be great practice. After I have made it through the book (and can finally say that I have done so with at least one chess book) I will apply the process to games and positions from other books--games collections, opening books etc.

One other thing that struck me as I looked into the book is a Silman recommendation that I've seen in one form or another many times in many places: to take a rich position from a master game, set it up on a board and really get into it deeply, for 20, 30, 40 minutes or more, writing down all your thoughts, plans and calculated lines. Blue Devil Knight called it Rowsonalysis (see Chess for Zebras), Michael Goeller and Dan Heisman have called it the "Stoyko excercise" after Massachusetts FM Stephen Stoyko. By any other name, this is something I've never really done. I am going to do it as much as time allows and publish the results here.

Playing games is, of course, the other thing one must do to actually improve, well, results in actual games! I'm going to try to play at least two games on FICS at 15/5 or longer each week. That may be all I can fit in. I am going to avoid blitz for three months as an experiment, and see if the ACIS work will result in some significant improvement at blitz. As Heisman says, the best blitz players are the best slow players. I am intrigued by the possibility that this may or may not happen in this case.

Measuring Progress

Only ratings can really say whether one's strength has increased over time. My current ratings:

USCF - 1629 (all-time best 1825)
FICS Standard - 1606 (all-time best 1800+)
FICS Blitz - 1328 (all-time best 1442)

I plan to post something once a week about the ACIS plan and what I actually accomplished. If I miss a week I'm not going to freak out, however. From mid-January to April I am extremely busy in my professional capacity. Any time studying or playing chess will, however, be quality time.

Isn't that really what this is all about?

Thursday, December 24, 2009

Christmas Vacation

Lots of good stuff to report, but it's Christmas Eve and I am thousands of miles from home with limited internet access--so for now, Merry Christmas and happy holidays and New Year's and all that. I just picked up Jeremy Silman's How to Reassess Your Chess (3d. ed) and I will be making this book the base for my ACIS plan.

Much more in a week or so!

Sunday, November 22, 2009

ACIS of Caissa: Maybe It's Not What to Study, It's Whether We Need to Study at All?



The ACIS (Adult Chess Improvement Seekers) seems to have really taken off, from its modest beginning in some comments at Chess Confessions, through its modest viral development by Blunder Prone (part II, part III), and a cascade of Seekers.

(Mr. Duval aka Blunder Prone has a list on the top of his sidebar. More are to follow, I'm sure)

A.C.I.S of Caissa (so far)

Now that we have a title, a mission, a movement, so to speak, I would like to present the theoretical underpinnings of ACIS as I understand them, to make it more than just another acronym. I don't speak for anyone else, but look forward to hearing from you, Dear Reader, regarding whether I've captured some thing of value here.

Much of the chess blogging by non-professionals is about improvement. Certainly, there are history blogs, Grandmaster blogs, club blogs, etc., but even these sometimes touch on improvement. Scrolling down the list of blogs I've chosen to link to on the sidebar, the majority of posts on a majority of the sites are about general or personal chess improvement. The original Knights de la Maza were, of course chiefly about improvement using a certain, defined method as defined in de la Maza's articles (Part I, Part II) and book.

Very few of these thousands of chess improvement posts seem to ask the questions:

Why do you need to improve? Why do you want to improve? And how, exactly, is this improvement to be defined?

Let's go back even farther. Let's go back to First Principles. Why the hell do we play chess at all? That's worth an essay in itself, and people have already written it: Concentration, competition, achievement, healthy struggle; given that we do play, why try so hard to improve? I've referred back to my posts about Dr. Kenneth Mark Colby many times and I'll do so again:

Why should a patzer seek to become a grandpatzer? Because of the aristos (Greek: Aristos = best). Life is more than ham sandwiches and beer. Humans strive, not just to survive, but to enhance the quality, the excellence, of survival. Striving for excellence in any endeavor, developing yourself to become your best at what you do, is rewarding and fulfilling to aspirations higher than happiness. Merely happy people, without artistic goals, vegetate in incomplete, hobbled and impoverished lives...A grandpatzer is a strong chessplayer, a threat to anyone (including himself) in a given game.

Very philosophical, no? There is however, another take, another approach that one could find just as legitimate, indeed, more practical:

"Anything worth doing, is worth doing badly."

---G. K. Chesterton

"Right now, I’m 1600-ish, the same as 10 years ago without putting effort into improvement. What would happen if I tried? Does the thought of “maybe there’s an Expert somewhere in here” motivate me enough to work?

More likely, the “I’m sufficiently skilled so most people can’t dismiss me; that’s good enough” win out (again)."

---Donnie, Liquid Egg Product

Let me state it this way: One could just play chess. In the days of yore, the olden days when there was smoking in chess clubs and all kind of dangerous stuff like that, quite a few people became experts or masters just by playing a lot of chess at a club with strong players. Reuben Fine, for example, had the best Americans of the 1920s and '30s New York chess clubs to school him, and played a great deal of blitz as a youngster. I believe he once wrote that he did very little formal study before reaching master level. So just as a base, using your chess time to play chess will bring you to certain level, your natural level of chess skill, so to speak.

After that, it gets murky.

"Improvement" is almost universally defined by us in the ACIS/chess blogging community as an improved rating, whether USCF, FIDE, ICC or other. Whether a higher rating is all we really should be striving for in our chess career is something well worth exploring, but I want to save that for another post. Let's accept that as given, for now. The big question (drum roll, please...)

Is studying chess really the best way to raise your rating???

I'm going to give you a few questions to ponder. Have you ever been kibbitzing a game and seen good moves that the players (sometimes much higher-rated than you) missed? Have you ever played a move in a (non-blitz) game and instantly seen, as soon as you took your hand off the piece, that it was a blunder? Have you ever seen a Grandmaster blunder? (if not, see my "Homer Nods" series). I'll wager a bundle you answered "Yes, yes and yes."

Have you ever asked yourself how these things are possible?

If you are a person who has played a reasonable amount of serious chess, "lost at least 500 games" as Capablanca is said to have formulated it, you already know enough about tactics to avoid major blunders, and to take tactical advantage of your opponents' mistakes. You already know that "Loose pieces drop off" and the pattern of a knight fork and a back-rank mate.

So, why do you, (and me too!) still make these kinds of mistakes, mistakes that are usually the main reason that our rating is static? Why can't we call up this knowledge on (almost) every move and avoid blunders and climb the ladder to the rating we so richly deserve? Why do tactical exercises, even thousands of them, sometimes help, but often in a very limited way--that is, why have some people done 10,000 or more of them and not become masters?

Questions, questions...these are questions for human performance psychology, rather than arguments about whether MDLM is the best study method. And like a good old-fashioned movie serial, for now I'll leave you hanging. In the next installment, we'll survey the field and see what we can glean that will help us ACISers out.

Until then, let us ROCK

Thursday, November 12, 2009

Diving Into ACIS: "I Would Like, If I May, To Take You On a Strange Journey"



Okay boys and girls, this is going to take a lot of preparation...do not proceed any farther in this post unless you have an hour or two. Or take it in small bites, whatever, but I'm not going to put up the run-of-the mill fluff, this time.

First, in order to understand the title of this post, go watch the fabulous Blunderprone production Rocky Errant Picture Show.

Three years ago I published a little piece called The Crowley-Parsons-Heinlein-Hubbard-Cruise Connection. Please read Part I, Part II. At the time I wrote it, I had not yet seen this article--Whence Came the Stranger: Tracking the Megapattern of Stranger in a Strange Land. And this, about the author of that--"Adam Rostoker: Walking Between Worlds, Not of this World (any longer)."

Ain't the Internet a blast?

And by now, you may ask yourself, what's the point of these seemingly unconnected peregrinations? Quo vadis?

Well...Crowley was a chess player, apparently of master strength, but see at the link how a "mystical experience" put him off pursuit of serious chess. Heinlein certainly appreciated chess, as it appears in a number of his works, including the first move of a "blindfold" game between Captain King and Lazarus Long in Methuselah's Children (Lazarus plays 1. Nf3) and in Time Enough for Love where Lazarus plays his Grandfather and allows Grandpa to recapitulate an entire Steinitz brilliancy (Lazarus foregoes using a computer-generated improvement).

UPDATE 11/14/09: Francis W. Porretto, Proprietor of the great Eternity Road, points out:

"...including the first move of a "blindfold" game between Captain King and Lazarus Long in Methuselah's Children (Lazarus plays 1. Nf3)..."

Uh, no. The game was between Captain Rufus "Ruthless" King and Andrew Jackson Libby, Heinlein's mathematical genius. King, who had White, opened 1. e4; Libby answered 1...Nf6.

Unfortunately, we never learn how the game ended. However, an earlier paragraph notes that Libby had "long ago given up the game for lack of adequate competition," so we can guess.

(Thanks for the correction, Fran. My ed. had the day off...)

I am intensely interested in chess, also in "human potential," self-actualization, self-improvement and all of that jazz. As the ACIS begins to rise, Bold as Love and Wangalicious, I think my love is to concentrate on the mental aspects of chess and improvement, the qualities of mind and spirit that might make for chess success and life success, the joy that can be from more than just winning games.

More, soon. And now, let us ROCK: